Shrink: Halves the length of time that the content takes to play. When applying this to selections which cover more than one pattern, the patterns will be flipped one by one. 
Flip: Reverse the content in place in the time-line (starting content will become ending content). Paste: Pastes previously copied content. Not all selections have clipboards and in those cases the "Cut" button will be changed to "Delete". Copy/pasting Automation in general only works when copying patterns or tracks, not selections.Īll other panels allow you to modify the content you've specified in various ways: Automation: Apply processing on graphical Automation attached to the tracks. Effect Value: Apply processing (Cut, Copy, Paste, Flip, Interpolate and Modify) on effect values in the Effect Columns. Effect Number: Apply processing (Cut, Copy, Paste, Flip) on effect numbers in the Effect Columns. Delay: Apply processing (Cut, Copy, Paste, Flip, Interpolate and Modify) on delay sub-columns in Note Columns. Panning: Apply processing (Cut, Copy, Paste, Flip, Interpolate and Modify) on panning sub-columns in Note Columns. Volume: Apply processing (Cut, Copy, Paste, Flip, Interpolate and Modify) on volume sub-columns in Note Columns. Instrument: Apply processing (Cut, Copy, Paste, Flip) on instrument sub-columns in Note Columns. 
Notes: Apply processing (Cut, Copy, Paste, Flip) on note sub-columns in Note Columns. Right-clicking enables a mask, but disables all other masks (solo). With the Content Mask you can specify what will be processed and what will be ignored. Whole Song: Perform actions on the entire song all columns, all tracks and all patterns. Whole Pattern: Perform actions on the entire current pattern. Group in Song: Perform actions on the group in all patterns. Group in Pattern: Perform actions on the group in the currently selected pattern only. Track in Song: Perform actions on the whole track (all columns) in all patterns. Track in Pattern: Perform actions on the whole track (all columns) in the currently selected pattern only. Column in Song: Perform actions on the current note or effect column where the cursor is, in all patterns. Column in Pattern: Perform actions on the note or effect column where the cursor is, in the current pattern only. Selection: Perform actions on what is currently selected in the Pattern Editor. This section is always visible because it applies to all of the other sections beneath it, by defining what part of the song will be affected: This is done with the "Section to Process" and "Content Mask" panes at the top: The first thing that needs to be set up is what will be edited and where this will take place. Each section deals with a specific topic of modification. There are multiple sections to the Advanced Edit panel, which can be hidden/shown to either take up less space or to fully reveal their options. The Advanced Edit panel allows you to perform batch operations on pattern and automation data, such as transposing notes, remapping instrument numbers, interpolating effect command values etc. To open the Advanced Edit panel, click on the "AE" button at the top right of the Pattern Editor: 1.3 Advanced Edit and Pattern Editor Interaction. Off the top of my head that’s it for now, aside from the other feature requests i mentioned before, like toggle sharp/flat view mode, relative tempo changes with ZTxx, and the ability to map “,” and “.” to commands instead of C and D notes (they’re duplicates of Q and W anyway) and put back the ability to have the same sample in different zones of an instrument like before. when a track changes between different instruments, and so on. #.iti in renoise plus
The advantages of this are pretty obvious =) I think you can probably use some weird midi-mapping trickery to achieve this, but anyway… plus you’d still be stuck in certain situations for ex. The second is more for tracking, i’ve mentioned it before i believe - it would be nice if the same notes in the pattern editor could trigger more than one instrument at once, instead of having to duplicate the track and change instruments. Currently i have to duplicate my pad instrument for each channel i need, and then it’s a pita to change selections on all of them, or delete and re-duplicate etc. Hopefully this will be added to List of feature suggestions for Renoiseįirst one is more for hosting plugins for live performance rather than tracking or sequencing, but here goes… it would be really nice if the same instrument could receive on more than one midi channel, for example if i have several keyboards, sounds or whatever, each on its own midi channel, but i want the same pad layered on all of them. Hello everyone, it’s been a while since i posted here! Just posting my suggestion for enhancements to midi in Renoise.
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